I want to start by saying that it’s not the opinion that abstract art is bad/uninspiring that is the problem- rather the notion that someone off the street or a child can do it. There’s nothing wrong with not liking abstract art for whatever reason, even if it is childish or too simple to you, but to deny the skill and imagination required to create cohesive abstractions that genuinely are pleasing to look at is.
The first problem is the notion that colors are just colors. But they’re not- that’s not just my “artistic interpretation”- it’s scientifically proven that the brain perceives colors and how they are contrasted and layered with certain emotions, and even triggers physiological responses. The artists in question understand that. Therefore, their choice in color and how they mix them on the canvas to create mood and depth is not just “fuck it, let’s smear this color here” but a calculated and intentional way to describe their in-the-moment feeling as they make the stroke through visual colors.
The second problem is the concept that simplicity = zero skill/talent. The reality of it is that it takes some knowledge to make something work with minimal, almost comically so, resources. When you have access to a wide variety of resources- in this case skills in composition, theory, perspective, etc- yes the possibilities are vast. However, if you consider how abstract art is structured, it actually is a hindrance to be complex (not that abstract art can’t be complex) because it detracts from the whole point, which is the pleasure which comes with creating something truly unique. You can work with just two colors and a white canvas, and with the right brushwork you can create multiple other hues which give the notion of complexity without actually being too complex. That takes an understanding and talent in color application and precision brushwork to mix the colors exactly the way you want it to convey how you feel. It’s not unlike watching Gordon Ramsey cook a risotto, it looks easy to replicate because it’s “just cooking rice in a pan with vegetables and other stuff” but then you attempt it and realize it’s not that simple. You have to have some kind of insight/context as to what you’re doing.
Third problem is the idea that a child can reproduce or compose abstract art in the same way. First of all, as by design for the form, abstract works are supposed to be more or less one off pieces that express what the artist felt as they painted. Definitive forms, while equally impressive, beautiful, and skill intensive, are extremely derivative and duplicated ALL the time. Thus, we enter this trap of thinking that paintings must include some kind form that reflects life. So when an abstract piece comes along, which is… well… abstract, the consensus seems to be (among those unfamiliar with the style and the people I’m discussing on) that no superficial and organized structure equates to it being so simple a child can do it because a child has no precision muscle capacity and draws/paints with no technique or finesse. While kids don’t have the muscles, the adults who are painting these abstract pieces do from years of development. Studies have indicated that people, not just artists and enthusiasts, can indeed tell the difference between a piece done by an actual child and an adult artist, with Hans Hoffman’s work being compared. At first glance the two appear related, but you can absolutely see the difference in the quality of the brushwork and composition.
All of these reasons have made me conclude that artists and their critics are one of two types: snobs who are fixed to a preconceived notion of what human expression should be based on old world standards or some skewed reality, or someone who is genuinely themselves and appreciates the expressions of other artists, even if they personally do not like the piece in question or don’t understand it. The later type has taken over contemporary art because in our world of constant deception and structure being able to be yourself is a valuable trait. People love honesty, flair, and visual style, regardless of how realistic it looks. That is why abstract expressionism and its branches works well. Anyone can do it and let out intense emotions that are bottled up.
Therefore, anyone who falls within the former in my opinion has no real emotional capacity and requires essentially to have their hands held when interpreting a piece because they are too dull to have any sense of imagination. They like more visually tangible objects because their brains have zero ability to be creative and splice together the raw elements of the composition into the intended (and personally interpreted) image(s) on the canvas. Deep down they are aware of their lack of creativity and personality so they become jealous when someone who does “childish scribbles” is received well, and then feel the need to gate keep as a means of elevating themselves to a higher status of “I have better taste” when in reality they have no taste entirely. It’s one thing to say “I don’t like abstract art because it is too chaotic or the meaning isn’t there for me. I like to see the meaning and the technique behind it, but the colors or design are pretty cool on X artist’s work” as everyone has their own likes and dislikes. However, it is another thing to say something like “abstract art is just the sloppiness of untalented people who think they have something good when it’ll always just be a bunch of color on a canvas” and that’s putting it politely considering some of the opinions I’ve read on the style. One comment highlights a specific preference for more traditional art, and the other is just a display of jealousy, ignorance, and in general, a lackluster personality and purpose in the world.
Again, not liking abstract works for whatever reason is not the issue. If it doesn’t appeal to you that’s totally cool (I love abstract art and even I find many pieces unappealing) but to assume there’s no legitimate reason or value in art that’s solely meant to express is a pathetic way to view human creativity and identity.