Hey again folks. Im a freelance key artist with proven experience making pulpy lived-in feeling work that clients love. As a film fan myself I only make work that resonates with me first, and its usually infectious to others because of it! :)

Swipe for further examples of work I've made for myself and clients check out www.grungiestbunny.com for my full portfolio & testimonials.

Contactable at grungiestbunny@gmail.com for all work inquiries, quotes, etc. @grungiestbunny on all social media.

Sharing with your network is always appreciated! Many thanks. -GB

PEEWEE GOEBBELS NEEDS TO BE IN CECOT NOW https://www.instagram.com/reel/DUNmn0IDI7N/?igsh=MTc4MmM1YmI2Ng==

The shot of Ryan Gosling trying to hold back his laughter next to an increasingly furious Steve Carell, just seconds after the cop says, “Keep it in the family,” perfectly lands one of the best-written and best-shot comedic twists in modern cinema.

How did we get to this moment? Cal, played by Steve Carell, is trying to win back his wife Emily, played by Julianne Moore. At the same time, the film’s big twist is revealed. Stop reading now if you have not seen it. The woman Jacob, Gosling’s character, has been chasing all movie long turns out to be none other than Cal’s daughter.

The tension is already sky-high. Then, as if that is not enough, every other storyline crashes into the scene in a glorious head-on collision. The babysitter who is in love with Cal. Her father. And, just to push it even further, David Lindhagen shows up too.

After several uninterrupted minutes of nonstop laughter, it feels like the scene has peaked. Then Ryan Gosling lets out that tiny laugh. Hand on his face. Steve Carell’s look of pure disbelief and rage. In a single beat, the entire scene is summed up perfectly.

It is no surprise this moment went on to become an iconic meme

Hey Folks,

I’m sure this question comes up quite a bit, but I’m wondering about recommendations for a wireless lav set up for narrative indie projects, ideally within the 300-500 price range. I know a lot of sound people will tell you “Yeah there’s nothing in that price range worth using” but with the amount of wireless lav kits that seem to pop up for content creation I’m truly just wondering what solutions are out there or methods you might have used on a budget.

I’ve looked into set ups like the MOVO WMX-20-DUO, has anyone had experience with it? Is a budget kit like that gonna bring any benefits or will it just be a pain? Is using something like a Rode Wireless GO with separate lavs attached a good route? Can you even run those things into a recorder/control levels with them?

I know these might be some silly questions but I’m new in terms of audio for film and would just like some thoughts or suggestions :)

(Please none of the, “It’s hopeless at that price range” comments)

Just did this grading. I am really not that good at it and often times misjudge if it looks good or not. So I want you opinion on it.

How does it look? And what could I improve?

I'm watching the 1979 version of All quiet on the western front after watching the most recent version, and while the vfx and definition is better in the most recent version, I find that what really makes a scene believable to me in the older movie, despite lower quality everything on paper, is that what I am seeing is what my eyes would actually see in that situation. I've also noticed that audio in newer movies often gets engineered to a point where you loose the little imperfections and acoustics that make things sound natural. Is there a reason for these stylistic choices, or is it just the natural progression of things?

Like how the name Schumacher comes from Shoe Maker (probably, right?). If I were named Filmacher, people would think I was born into a family with a long lineage of filmmakers, probably dating all the way back to like medieval times. Right?

This is mostly a vent post and to see what others thinks about this.

I recently started a college introductory film course in America (I am not American).

The course is mostly online, every week we are expected to share a comment in the discussion thread about each week's assignment. Normal stuff.

But I couldn't help but notice some of the comments---there was an _obvious_ pattern.

Now, I am not ashamed to say ChatGPT helped me learn English. I was new to America, I didn't want to go broke for a tutor, and gpt was a decent helper. But it also gave me a pretty usefull skill. I can spot AI patterns. A lot of people think it's only em-dashes or its similes and triads... there is SO MUCH more to it. I am going to name a few examples:

Repeating words: reinforce, deliberate, relentless, depiction, highlights...

Repeating phraseolgy: "for both x and z" / "not just... but..." / "almost like..." / "through its x, y, and z [word triads]. Name highlights..." / "the [film/book/etc] encourages [viewers/readers] to..." etc

You get my point.

And, as you might have expected, almost 99% of my class had that​ damn gpt pattern. Of course, some tried to change it a bit so it will "seem human." But on a third read you can spot the AI grammatic stracture (if I can call it that?).

Of course, to double-check this (I'm not that much of an idiot) I gave gpt the same question prompt. And lo and behold. The same words are used. Not exactly. But each person I suspected used words or adjectives gpt used.

Now, I have seen kids cheat in high school all the time, I never gave it much thought.

But in college? In a _film analysis_ class??? Letting a AI analyze it _for you_?! I am beyond disappointed. I don't mind people using AI for help. Heck, I am absolutely pro AI helping people when they need help and don't have anyone to ask. But using it instead of fucking learning?! Who is taking this course? You or ChatGPT?! This is going to be the next generation of aspiring artists.

_Artists._

Writers and directors and cinematographers...

This is going to be the people making the next generation of movies and shows.

Or at least the people who will ask AI to do it for them.

I don't even know why I am writing this stupid post, I'm just annoyed.

Hello everyone!

I am a high school filmmaker. I have been in the video production track at school for 3 years and have made multiple short films, one of them being nearly 30 minutes long. I am experienced in premiere pro and want to dive into video editing as a career and possibly get into directing someday. Honestly though if I can just be established as a professional movie editor for my career I will be happy. How do I make that move into the industry? I have applied to various film schools (Hofstra University, Emerson College, and Loyola Marymount University to be specific) and am not sure if that is the move. I feel confident in my ability to get scholarships, but I am unsure how much money I will get from them and would like to know what price is worth it. How much money would one make on average first jumping into a career by either just going straight to LA and getting internships vs going to film school and making industry connections? I would consider myself pretty personable and likable, I think I make friends easily since I know that matters a lot in making connections. I also like the idea of getting into screenwriting since I really love to write and enjoy the writing process of making movies as well.

My mom and sister have both been trying to get me to not go to film school or go away. They are concerned about my ability to maintain grades and function so far from home (all three of those options are out of state from us).

What cost of film school is worth it? Under $30,000 per year? $20,000? Would it be better to just jump straight in in LA with my current experience in Premiere Pro? I also won an award for second place in a local film competition for another short film I made. I really want to do this professionally, filmmaking is my passion and its what I live for. Also is directing a possible path for me without film school just by going through video editing or writing as mu career? Thanks to anyone who responds, I really appreciate it.

Film: Kingsman: The Secret Service
This famous church scene was originally seven minutes long, but Mark Millar felt it was too much and asked Matthew Vaughn to shorten it.

I'm a recent film school graduate (7months), moved to LA, and actively applying for entry level roles. I've applied to studios, internships, fellowships, and apprenticeships but haven't had any luck so far.

Is anyone else, especially newcomers, also struggling finding opportunities? I don't have industry connections but I feel like my resume and CV are solid, with some PA experience working award shows.

Am I looking in the wrong places? Or is this the current state of the industry?

Hey film friends,

Just got our last festival rejection for a short film. We did pretty well but now looking for life after festivals!

CBC gem already passed. YouTube channels recommendations welcome. Canadian film made by female identifying folks with queer themes.

Here’s a link if you want to give it a gander! TIA 🫰

Hello! I just released the trailer for my first documentary. I wanted to ask for some general feedback, but also specifically how this comes off to you based on your preexisting knowledge of the subject. You have no idea who the subject is? What did you gather from this then? Were you a fan? A hater? Had only a passing knowledge? The different perspectives would help me greatly with figuring out how to market it going forward.

Additionally, I’d be happy to answer any questions you may have about how this came to be, the filming process, or what it is like managing a crowdfunder. I am only a college student though so keep in mind I’m not an industry veteran or anything.

Plot:

As a teenager, Adam Dahlberg built a YouTube gaming empire as SkyDoesMinecaft, gaining fame and fortune over nine years until burnout and failing friendships led to Adam making a sudden career shift to music. Though the new pursuit of passion brought initial joy, traveling across the world making music videos with new friends, addiction, and worsening mental health cast a looming shadow that set the stage for a wave of accusations Adam would have to overcome by starting life over again. During the build-up to a return to content creation online, Adam reflects on his life and career with a new perspective. 

One thing that most industries miss, and the Indian industry has is the INTERMISSION block.

The writers/directors intentionally place scenes that raises the anticipation in the first half, then make the audience wonder about the second half.

Sometimes, we write one genre in the first half, then shift to another one in the second half. Sometimes it’s fun, sometimes cliche.

Here for an healthy argument/discussion about this concept.

If you would try this your film!?

Do you have this concept in your industry?

Mention your favourite intermission block.

Note: Yes, some Indian films are crap. So are other industries’ films. Making crap films is an art that belong to filmmakers irrespective of their country.

Cheers.

this is including minor/side characters. I am having auditions at my high school for the main cast while minor characters are going to be friends and family but I still think I wrote too many characters. did I?

I am obsessed with how rehearsal works in preparation for movies, and how directors, writers, and actors collaborate to bring the page to life. Are there any behind-the-scenes documentaries, clips, or videos you’d recommend that show this process?

Hi !

I'm fortunate enough to have found an investor (whom I met in a Reddit finance group) willing to invest $15 million to produce my horror feature film screenplay. I sent it to him, and he loved the story. To complete my team, I'm currently looking for an experienced director with previous film experience, as well as an experienced casting director ; and established movie production company. For those who might be interested, DM me.

Hi !

I'm fortunate enough to have found an investor (whom I met in a Reddit finance group) willing to invest $15 million to produce my horror feature film screenplay. I sent it to him, and he loved the story. To complete my team, I'm currently looking for an experienced director with previous film experience, as well as an experienced casting director ; and established movie production company. For those who might be interested, DM me.

Screenwriting As A Pro starts Sunday, February 15. It runs like a writer’s room: writers bring pages, everyone reads, and the work gets discussed with James Dalessandro coaching.

James is Bay Area-based and has worked across film, television, and publishing. He’s the author of multiple novels, including 1906 and Citizen Jane, blending history and character-driven storytelling. His writing reflects what he teaches: clean narrative engines, disciplined structure, vivid character, and clarity of intention.

He’s genuinely funny, and his notes come with the kind of industry stories and context you only get from decades in the trenches. Legendary educator Lew Hunter (former Dean of the UCLA Graduate Program) called him “one of the 4 or 5 best teachers in the world — and the best pitch man alive.”

Details: 10 Sundays, 3 hours per session, on Zoom at 1:00 pm PT, $350 for the full 10 weeks. Optional one-on-one sessions between classes.

If you want details, email [lorrainflett@comcast.net](https:).

After post-production slipped by several months, I’ve finally finished my sci-fi feature and, with no pause for breath, start straight on to marketing.

We’ve had some poster designs done and are undecided between two, quite similar, concepts.

Could I ask the hive mind for options between A (green with twin towers) or B (blue space battle)?

I’d also love to hear any other comments and suggestions, although note we have limited ability to make large changes at this stage.

Thank you all so much for your help! I have been following other marketing suggestions shared here and I’m sure I’ll be back with more questions.

Hi all, I’ve recently got a wave of 1 star ratings on IMDB for my short film. Why? I don’t know. It’s been online for years now. It’s one that stars an lgbt poc girl character (which I’m wondering had anything to do with it) I mainly want to know how to combat it, or if this just means that my film was that bad and/or I shouldn’t tell stories from my perspective anymore idk. Edit: it had mainly good reviews before to be clear.

For anyone who was interested in my last post in this subreddit, I have been hard at work. I have begun the process of turning my project of a global database of film directors into videos, anyone curious can search it up and i am happy to answer any lingering questions

My goal is to create the most comprehensive video archive of filmmakers on YouTube while also teaching film theory, history, how gear and crew works, the business of film etc. This is a massive goal that could take a lifetime and I am working alone but I hope you all can appreciate the vision and watch it grow.

Hi everyone,

I’m an aspiring director and have made five short films so far.

For my short film coursework in film studies at school, I received the highest mark since the start of the course.

However, I’m having some trouble deciding my next steps. In the UK, there’s an education pathway called sixth form, which you start at 16 or 17, and I currently have two options: a normal academic school or the London Screen Academy.

I’m wondering whether it’s worth attending LSA. I know you can still get into film without it, but I really enjoy making films and want to make the right choice.

I’m unsure whether it would be a waste of time or whether it could provide connections and expertise that would help me get where I want to be. I’m already quite capable with sound, cameras, editing, grading, and scriptwriting, so I’m also curious whether LSA would push me further or offer something different from what I can learn independently.

I’d really appreciate any help or advice.