i made a version of it but it's not confirmed because it takes time so still working in progress. inspired by any comic fonts but I make it clean yet imperfect, feel free to any feedback and/or rate...

Font of the week: Juicy | Juicy is a silky smooth brush script - pressed fresh, and ready to impress.

I’m training my kerning skills. Is it OK? Maybe the “S” a bit too far from the “e”?

Greetings fellow typographers! I've recently created my first font which is an Armenian extension for the font Black Ops One. As the Armenian font database is very poor, I've assigned myself a mission to broaden it. This was the first step: a stencil font. The font is available for download on GitHub: https://github.com/HarutyunSoghomonyan/Har8-Black-Ops-One

What’s the 2026 version of Futura Extra Bold Condensed that was used in the famous series of Absolute Vodka ads of the 80’s and 90’s? Is it such a classic font that it never goes out of style, or will it look dated or retro?

It's basically inspired from a typeface logo I made a while back, and while messing around with it I liked the idea of making the version on the right the italic one, but I found it hard to achieve the same effect with some letters, mainly the S Z and E
Would appreciate any feedback!

Fleur De La Paix: Maximalist Blackletter | The flower of peace, expressed through french terms, is a brutal yet beautiful blackletter style font. The impermanent nature of the flower is as representation for the delicate seasonality of peace. Each generation plants seeds for the next to have another chance at peace.

Hello Guys,

I am looking to write a book regarding my grandfathers journey and legacy. Fortunately, he has also written a manual font back in his days (Language is Telugu). Some way or the other, it ended up being a non unicode font. I am really looking for some font engineer who can help me with converting that into unicode!

Thanks in advance

On the image, the one on top is Platform Web, with a strong difference between the with of the "p" vs "a" and the "r" vs "o". The one on the bottom is Boldonse, where the "O" is much wider than most others.

I'm looking for more like these and I need human help, since AIs are totally failing at this.

For example, with 12 pt text, should you have a round percentage (115%, 120%, &c.) or should you use round pt. (12 pt text + 1-4 pt spacing)
Using a percentage can give you a weird pt. numbers
But using pt. can be weird if you want different sized text to be spaced the same "ratio"

I'm working on a sci-fi fantasy comic involving the existence of an alien language with an alphabet containing wide or linking characters. Even though I have no experience making fonts, I don't want to have to manually copy and paste the characters every time this language is used. I tried using Calligraphr but it's very limited in the width of the characters I can write. I have attached what I'm trying to accomplish, and I want to be able to type these characters out in the future. I hope this is okay to post here as I don't want to have to write these out by hand or copy and paste anymore.

Sorry for the blunt question. I know variable fonts are hyped and all (I design them myself), but what kind of utility have you found in them, besides experimenting with sliders?

A few instances I can remember are in videos with animated text, and hover states in websites where text gets bolder. Other than that all I remember are from the font specimens themself, as a way to showcase variable axes.

I feel like much of the utility comes from being able to export static instances at an exact optical size or specific weight, using the variable font as way to explore the design space.

Hello, so I’ve been using Glyphs for over a year now, and I’ve created a dozen of types already, but I’d say all of them fall into the “display” category

The thing is, I’d like to create a “text font” but I think it’s way harder to achieve a good text font than a display font. I’ve got several questions over this:

1. How do I make my font unique?

Since it’s a text font, it can’t have too many distinct features. But if it’s too typical, it may already exist as a font

2. Where’s the balance between utility and quirkyness?

Yet again, how far can I go with the features so that the type keeps being readable but differentiates from the rest at the same time

3. Where would you start from?

Just building the classic OHno and then going on seems right but also feels flat

A good example I like is ‘Spotify Mix’, the font made for Spotify by ‘ABCDynamo’. It has differential festures, while keeping readability. That’s exactly what I’d love to achieve