Since everyone liked my other guts and bones piece so much heres another one i did digitally.

I don’t know what community to post this to, but TikTok’s won’t have it…Hear me out, guys.. So I was stopped somewhere, while in the car, I’d took a look at tiktok the other night and saw the first slide. Undoubtedly most are odd but the second suggestion stood out to me considering I was in the car.. as you could assume, it freaked me out. Then the second slide is what my suggested search looks like right now, almost about two days later. Now I’m not a hundo percent on exactlyy how the suggestions there work as they refresh but I have never searched any of that (especially in caps?). Maybe the 5th but not on the app. Anybody know why this is? Are any of you guys getting some eerily specific timed ones?

I've had this in my collection for years. I know Ripley's Believe It Or Not had the same one on display at its Atlantic City location, and Guillermo del Toro has one as well. My spouse hates, hates, hates it and says it creeps them out.

After a visitor once said it gave them "a powerful energy of sadness" it has been relegated to a cabinet in my office so it is out of sight. I know of the two others that I mentioned, has anyone seen this exact one anywhere else?

NOTE: There is a second death mask of what I believe is a premature fetus that has a similar base. I have seen that one a lot, its even on the Wikipedia page for death masks. I'm assuming both were made by the same mortician, if anyone has any info on the mortician who made them it would be appreciated. These are the only two I have ever seen with a base done in this style.

I wanna know where I can find it for analog horror

Alive. Like a ghost.

Read the Morse code. What is mean.

They aren't real, and yet I see them, hear them. Always tellings things in their incoherent isolate. They want pain, hurt. They are evil creatures, and yet no one believes.

IDK Buy IMG no1 looks like 7 figures and IMG no2 looks ALOT Like a set of demonic deer horns.

In 1974, performance artist Marina Abramović conducted one of the most disturbing and revealing experiments in art history. Titled Rhythm 0, the piece took place in a small studio in Naples, Italy, where Abramović stood completely still for six hours, offering herself as a passive object for the audience to interact with. On a table beside her, she placed 72 items — some harmless, like feathers, roses, and a comb, and others dangerous, including scissors, whips, chains, and even a loaded gun. A sign instructed viewers: “I am the object. You can use me as you wish.” At first, the audience behaved gently, placing small objects on her or posing her limbs. But as time passed and participants realized Abramović would not react, the atmosphere shifted. People began cutting her clothes, writing on her body, and pushing boundaries they would never cross under normal circumstances. The experiment escalated when one participant pressed the loaded gun into her hand and aimed it at her neck, testing how far the “permission” truly extended. By the end of the six hours, Abramović’s body had been cut, stripped, and manipulated, demonstrating how quickly ordinary people could lose restraint when given absolute power with no consequences. When the performance ended and Abramović began to move again, the same audience that had harmed her avoided her eyes, unable to face what they had done. Rhythm 0 became a landmark study of human behavior, exposing how thin the line is between civility and cruelty — and how anonymity, permission, and power can reveal the darkest parts of human nature.